Thursday, September 29, 2005

adrift

There has been a recent revolution in storytelling of showing different parts of events that take place concurrently. While this has mostly been seen in films, it has not transferred to television to a great extent (certain episodes of Buffy the Vampire Slayer have done something similar). So for an entire episode of Lost to take place concurrently with the events of last week's episode is something not commonly seen in television before.

The idea of time in this series becomes apparent with this episode. While the audience has come to know the characters over the past year, Locke says that they have only been on the island for 44 days. The passage of time is very strange in this episode. The audience spends half the time with Michael and Sawyer in the aftermath of the attack on the raft, picking up directly after last season’s finale, just like the premiere. They have lost contact with Walt, who has been taken by the Others, and Jin, who does not make his appearance until the end of the episode. The other part of the episode shows what else took place during last week’s premiere, mainly Locke’s descent into the Hatch. The flashbacks deal with Michael’s quest to gain custody of Walt, which echoes his quest after his kidnapping from the raft. Again, certain questions are answered, while sever more are raised. For the first time, the passage of time shown gives the audience the sense that these people have not been here for very long.

Make Your Own Kind of Music

Where Jack’s descent into the Hatch was full of chaos and confusion, Locke’s is much more orderly. This mirrors their characters. Jack is never sure where he is going. He is the man of science, no matter how much he tries to be one of faith. Locke is always in control, because his faith lets him maintain that control. There does not seem to be many questions answered about what is in the Hatch, but some light is shed on its purpose, and on the man inside. He tells Locke that his name is Desmond, so he is most likely the same man who met Jack in the premiere. He is waiting for someone, although even he does not know who that person is. He has been down there for a very long time. There is some kind of infection on the island that Desmond is being kept safe from. There is a failsafe in his computer. He must enter the numbers into it to reset the timer every 108 minutes (108 is the sum of the numbers that plague so many of the characters on the show). The Hatch is a quarantine zone, and Desmond is meant to be protected from the infection. The infection made Rousseau’s team sick sixteen years ago, and presumably the other survivors of the plane crash seen at the end of the episode are also infected.

So why aren’t the characters we’ve been following for a full season sick? Why aren’t Rousseau or Desmond seemingly ill? There are two possibilities. One is that Jack has somehow kept these characters from becoming sick. His interaction with the other survivors of the plan crash has kept them healthy. Ana Lucia, a character portrayed by Michelle Rodriguez (whose name appears in the opening credits this season), is possibly not sick as she interacted with Jack at the airport in the season finale. She was in the back of the plane during the crash, and as her name appears in the opening credits, one can assume that the people at the of this episode are not the Others, but rather more survivors of the plane crash. Jack’s wife was able to walk again after being paralyzed in a car crash, as was Locke after arriving on the island.

The other possibility is that the children kept them from getting sick. The main group of survivors had Walt with them, and later Aaron after Claire gives birth. Walt obviously has some kind of strange supernatural power. Something strange lies in Aaron’s future, as was shown in Claire’s flashback episode in season one. Rousseau gave birth to a girl named Alex shortly after arriving on it the island. It’s possible that this child kept her healthy. While this child could not keep her team from becoming ill, presumably Rousseau never became sick. She might be crazy, but she states that she had to kill her team because they became infected. This would explain why the Others wanted Alex and Walt, as they are somehow able to stave off this infection from those around them. It is also possible that Desmond has either been in the Hatch since he was a child (although he is somehow able to leave occasionally), or that he has one of the immune children in there with him. He sleeps in a bunk bed, and the mural centered on the number 108 which Jack examines in the premiere seems to have been created by a child. Each of these theories have some kind of volition, and the truth will most likely be revealed somewhere down the read.

Walt Likes Polar Bears

There are few actors who could keep a string of scenes where all they do is sit on a raft in the middle of the night and make it interesting. The fact that Harold Perrineau and Josh Holloway pull these scenes off as well as they do is a testament to their acting skills and the writers of the show. Not a lot happens in those scenes. Michael yells for Walt. Sawyer sees a shark. The shark most likely has do have something to do with the Hatch, as it bears the same symbol as Desmond’s uniform and everything inside of the Hatch.

It is assumable that the people shown at the end of the episode are other survivors of the plane crash. They seem to be infected with whatever is on the island. But that is all the information that the audience receives before the credits roll. If that is in fact the case, they do not have Walt, and Michael’s search will continue as the series goes on. Michael’s flashback story mirrors his words on the boat, about how he wants Walt to know that he’s coming for him. He feels blame for Walt’s kidnapping after trying to blame Sawyer, just as he probably felt blame for Walt’s mother taking the boy away from him in the first place. The scene where Michael says goodbye to Walt and gives him a stuff polar bear is a strange bit of foreshadowing, and might simply be an in-joke to viewers. Although, everything on this show seems to be significant in some way, so this might be addressed later.

Questions Unanswered

The audience is still left with questions by the end of the episode. Where is Walt? What exactly is going on with Desmond and who is he waiting for inside the Hatch? What happens if that timer reaches zero? Does the name on the candy bars Kate takes ("Apollo") hold on significance? What has happened to these other survivors? Is Rose’s husband there? At the moment, there is still only speculation, and there most likely will be for some time. But that is what makes this show so damn interesting.

A screengrab of the symbol on the shark.


The secret of the Hatch is that it's actually a giant adding machine.


Michael gives a two year old Walt a stuffed polar bear.

Wednesday, September 28, 2005

my storytelling sucks

I went to a part time job fair today. Making plans in all that. Come January my life will be very different. It hit me today how close January is. I'm crossing my fingers that I get a job with Paolo. Because that would be cool.

Comics in a little while. Lost tonight. Serenity on Friday. It's a good week.

Here's an uninteresting story. Last week my mom's car got a flat tire. We got the real tires fixed, and I put it back on the car on Saturday. It made this odd bumping sound when I drove it, and given the problems I had jacking the car up, I thought it might have something to do with that. As the noise got worse, I got more worried that I had caused major damage to my mom's only one year old car. I took it into the place on Monday at lunch. The car is insured for things like this if we take it to the place we bought the car at. The intake guy didn't seem to know what I was talking about, and wouldn't check the computer to see that he could take the car. So I just went back to class and the bumping sound kept getting worse, shaking the car when I drove it. My mom took it back to them on Tuesday, because she get much angrier than I can. So they took it. There was some strange piece of plastic stuck between the wheel and the tire causing that horrible noise. So it's all fixed. It didn't cost anything.

See, an uninteresting story. Or at least it is according to Lacey and Stephen. But when I was going through it was freaking me out.

I think that's all for now. Some more television thoughts later. And an essay on Lost 2x02 which airs tonight, entitled Adrift. It's supposed to be a Michael story. It should be as excellent as always.

Tuesday, September 27, 2005

comics for this week (and hair)

I did something horrible. In trimming my beard, I usually have to clean out the guard a couple of times. Yesterday, I cleaned out the guard only to forget to set it before setting it lose on my face. So now I have a very reduced beard. But not shaved all the way like I did last year. It's kind of good. On Wednesday there is a part time job fair that I'm going to go to in order to make plans for when I have to quit at the library in January.

So now I look different.

Here's comics for this week, which is a very long list: Adventures of Superman #644, which is just fantastic; Amazing Spider-Man #524, which is the last issue before The Other starts; Angel: The Curse #4 (of 5), which makes me happy in its existence; Batman #645, which marks Judd Winick's return; Batman: Journey Into Knight #2 (of 12), which had a pretty decent first issue; Black Widow #1 (of 6), which makes me dance a dance of joy; B.P.R.D.: The Dead #2 (of 6), which is just plain cool; Catwoman #47, which isn't Brubaker anymore, but it's not bad; Daredevil #77, which is fantastic; Defenders #3 (of 5), which is a lot of fun; Drax the Destroyer #1 (of 4), which might be cool; Fantastic Four #531, which is wonderful; The Flash #226, which no longer has Geoff Johns; Giant Size X-Men #4, which has a new Chris Claremont story and a bunch of reprints; The Gift #13, which is supposed to be big; Hulk: Destruction #3 (of 4), which is pretty damn good; Invincible #26, which is awesome; Jack Cross #2, which has a spectacular first issue; JLA #119, which is the last issue of Crisis of Conscience; JLA Classified #12, which continues Warren Ellis's story; Legion of Super-Heroes #10, which I'm behind on; The Losers #28, which I'm also behind on; Neil Gaiman’s Neverwhere #4 (of 9), which is beautiful; New Avengers #11, which is fantastic; New Warriors #4 (of 6), which is a lot of fun; Nightcrawler #10, which is simply a wonderful book; NYX #7, which is the incredibly late last issue; The OMAC Project #6 (of 6), which was my favorite of these, I think; Otherworld #7 (of 7), which is long winded buy beautiful; PvP #19, which is always fun; Red Sonja #2, which has swords and boobs; Revelations #2 (of 6), which is beautiful; The Sentry #1 (of 8), which I'm really looking forward to it; Shadowplay #1 (of 4), which I'm also look forward to; Shaun of the Dead #3 (of 4), which is cool; Silent Dragon #3 (of 6), which is a really good book; Spider-Man: House of M #4 (of 5), which is surprisingly good; Superman/Batman #22, which is always good; Ultimate Iron Man #4 (of 5), which is late and I'm not sure what to think of it; Ultimate Secret #3 (of 4), which is also late but should be awesome; Ultimate Spider-Man #83, which is just fantastic; Wolverine #33, which starts a House of M tie-in; X-Men: Kitty Pryde – Shadow and Flame #4 (of 5), which is really good; and Young Avengers #7, which is one of my favorites.

And some covers, as always:





All for now. I'll do some more television thoughts tomorrow.

Saturday, September 24, 2005

more television

I had a productive day. I finished my English paper. I revised my essay on the season premiere of Lost (just added some sentences to make the conclusions a bit more clear). I changed the tire on my mom's car. I was able to get the fifth season of Angel and the first season of Roswell on DVD for a ridiculously cheap price (and was tempted to get the rest of Roswell). I got to hang out with Lacey. I had a very good day, truth be told (I also got the beautifully collected first season of Battlestar Galactica the other day).

And now, I get to present some more television premiere thoughts. At least, these are the ones I've had the time to watch.

ER - This season picks up pretty much where the last one left off, on the same night in fact. John Carter is gone. It will be interesting to see if this show will be able to hold it together without him. I suspect it will be able to. They were able to when Anthony Edwards left the show a few years ago. Goran Visjnic's name comes first in the opening credits, which is cool. I've always liked Luka. Sam's son is found and the relationship between her and Luka. New interns start back in the ER. There's some good moments with Pratt and Abby. We, of course, need a lot more Kerry, who doesn't even appear in this episode. It's a good opener, to say the least. I still enjoy this program.

Invasion - I was a little weary to see this. There are three alien invasion shows. Threshold was amazing. Surface was, well... more on that later. And this was somewhere in between. As a companion piece to Lost, I don't think this show fits well. Alias fit a lot better in this slot. The main problem with this first episode was just simply how slow it was. For a show about alien invasions, most of this episode is taken up with uninteresting hurricane events and a search and rescue. There are also a number of characters that don't seem to be that fleshed out. But, the premise of this looks really interesting. The idea of an alien invasion that starts in a small town by invading the bodies of the residents is enough for a decent series. So I'll give it another chance. It might be worth it.

Law and Order - Jesse Martin is back, after being given time off to star in a play of some kind, it I understand it correctly. He reintrance is seamless, as it commonly done with this show. This show in season sixteen is just as good as it was in season one. I still love Sam Waterson. Dennis Farina has effectively grown on me. I still miss Jerry Orbach, rest his soul. This show is still awesome.

Law and Order: Special Victims Unit - As bad ass as the regular series of this show is, SVU is all the more cooler. Every one of the characters and actors on here is bad ass. But one has to love Christopher Meloni, especially after watching the seventh season premiere. Of note in the premiere is the stellar performance of Robert Patrick, who is one of my favorite most over-rated actors out there. This is definitely one of the best episodes of this show out there.

Lost - Scroll down a bit for an in-depth look at the premiere of this episode. And check back each week for the same after each new episodes. It's a whole thing I'm doing.

Nip/Tuck - After every episode of this program, I want to stop watching it. It's to harsh and emotional for me at times. And yet, I watch it every week. Christian doesn't die. Sean still kicks lots of ass. It's the same show it always has been, although it gets more and more weird with each episode that passes. But it's compelling as hell, and goes to show just how cool these FX programs are. If you like weird ass shows about plastic surgeons with fantastic acting and writing, then this is the program to check out.

Surface - In all honesty, I don't remember a lot of watching this. That's just how bad it was. Bad acting. Horrible plotting. To many characters. What happens isn't clear. Bad writing. A premise that's pretty much being done with two other programs this season. I'll check out episode two, and if that doesn't compel me to keep tuning in, then I'll give up on this program. I'm not the only one to be thinking this, I think.

I still have a lot of stuff I need to watch. The season premieres of Las Vegas, Medium, CSI, Criminal Minds, Numb3rs, and Killer Instinct. I'll definitely have something to do next week when I'm not working on school stuff in the coming weeks. There's a lot of good television out there at the moment, and that makes me happy.

This ends the geekness transmission.

Thursday, September 22, 2005

man of science, man of faith

My film class this semester has inspired me to do something interesting. I'm going to be doing short essays on Lost each week. This isn't to kill time. I'm going to try and write some real insightful thoughts and theories for each episode. Maybe one day when I'm rich and famous these can be collected or something. Where I can, I will reference stuff. Most of this stuff is from my head, though. In any case, I can prove how much of a geek I am.

During World War II, the Japanese performed genetic and technological experiments in an attempt to gain an advantage in the escalating fighting. The Germans did the same thing. So did the Americans. There is no reason to think that these experiments haven't taken place during other wars. Maybe ever wars we don't know about. Bearing that in mind, the mystery of the Hatch might become a bit more clear.

Quarantine
In Exodus, part 2, the first season finale, John Locke told Jack Shepherd that where he was a man of faith, Jack was a man of science. A doctor. He takes things at face value. He is trapped on this island in the middle of the Pacific Ocean. He has been here for forty days, and the idea that they are not being rescued is starting to sink in. There is a security system on this island that takes the form of a giant column of black smoke. There are Others on the island, and they are coming for Jack and those he is stranded with. They have only four guns and limited ammunition. There are about forty-five people he has taken to protect. There is a Hatch on this island that might possibly be able to protect them all from the Others. To Jack, logic dictates that he attempt to open this Hatch in order to save them. While people waited four months to see what was down this hatch, the answer really only provides more questions.

Each episode of Lost features a flashback to one of the main fourteen characters. Through these flashbacks, which most of the time tie in thematically to the present time storyline, the audience learns something about on of these people stranded on the island. Man of Science, Man of Faith, the second season premiere, is devoted to Jack. This is his earliest flashback to date. It is learned how he met his ex-wife and how he saved her over a man with the last name of Rutherford (which is the name of another survivor from the plane). It is shown that, possibly for the first time in the series, John Lock is wrong. As a doctor, yes, Jack is a man of science. What happened to his wife made him a man of faith. The flashback is also about the man who told him how to become this dual person.

Inside the Hatch is a man. This man once met Jack in a stadium. His name is Desmond, and that is all the information presented in this episode. The Hatch seems to be stuck in the early 1980s. Desmond goes through some kind of routine each day, and the explosion of the Hatch door upsets this routine. He has what looks like an old Apple II computer, in which he types in the numbers that the series revolves around (4, 8, 15, 16, 23, 42). There is a mural in the Hatch centered on the number 108, which is the sum of those numbers. There is a giant magnet inside the Hatch. Desmond also has access to electricity, or some other kind of power generator. When the Hatch door explodes, he injects himself with some king of drug, the container of which has printed on it these same numbers. He lives a life inside that Hatch, and the dissention of Jack, John, and Kate into it throws him for a loop. Walt told John that what was in the Hatch was bad. There will be answers given, but they do not seem to exist in this episode.

The Others
There are other people on this island. It seems that they are possibly descendents of the castaways of the Black Rock, a slave ship which crashed on the island most likely in the mid 1800s. Danielle Rousseau, who has been stranded on this island for sixteen years, can hear the Others talking. They spoke of taking the boy. As the black smoke rose from the center of the island, Danielle is reminded of the abduction of her own child, Alex, by the hands of the Others only months after she first arrived on the island. She assumed they were speaking about Aaron, the newborn child of Claire Littleton. She attempted to trade Aaron for Alex. But they were not after Aaron, but rather Walt Lloyd, the son of Michael Dawson, who seems to have some kind of strange psychic manifestation power. He made a polar bear. Two of them. The Others started the black smoke in order to speed up the launching of the raft from the island, which was built by Michael to get his son off the island. As far as the audience can tell, the Others are not coming for Jack and the rest of the survivors. This second season premiere does not feature Michael, or Sawyer Ford or Jin Known, the others who accompanied Walt and him on the raft. They have not been heard from since the Others destroyed their raft. But Walt appears to Shannon Rutherford in the woods. It is possible that Walt has some kind of psychic link to Shannon after giving her his dog to look after. He appears to her soaking wet, wearing the same clothes that he was kidnapped in, and whispers backwards words to her before disappearing again. When reversed, the boy seems to be says "Push the button. The button is bad." It is unknown exactly what this means, although it possibly refers to something in the Hatch. The Others obviously wants Walt because of the power he has. It is unknown what has happened to Michael, Sawyer, and Jin. The split storylines has been done in shows like this before (the beginning of the fourth season of Babylon 5, the beginning of the second and fourth seasons of Farscape, and several other programs have taken to using this storytelling tactic). The Others are out there, but their plans are still unknown. With Lost, they are possibly not the main antagonist or the plotline that the audience is supposed to pay attention.

Push the Button
Every question answered raises more questions. The inside of the hatch has been revealed, but so has a whole new world in this universe. Is the man Jack meets in the stadium really the man in the Hatch? What happened to Kate? Is Desmond in charge of the security system? What exactly is going on in the Hatch? Why does it seem to be stuck in 1981? Where are the Others? Are they somehow related to Desmond? Does Danielle somehow fit into all of this? What happened to Michael, Walt, Jin, and Sawyer? Was the dying man at the beginning related to Shannon somehow? The list goes on. As the series airs, some of these questions will undoubtedly be answered. Of course, a million more will be raised.

The vial of medicine that Desmond injects himself with.


The mural inside the Hatch.

Wednesday, September 21, 2005

flat tires suck

Yesterday was my mom's birthday. We went out to eat rather late, because she had to work. We went back to her house and watched the season premiere of Nip/Tuck (which I'll do a write up on later). As I'm heading home, at about 12:30, one of the tires in my mom's car goes flat. I have to use her car because I've been afoot for a while. It was only about a block or two away from her house.

So, I try to change the flat tire. It's not hard. I've done it before. I've observed it being done before. But never on this car. It's only about a year old. I get the spare tire and the jack out. There's this plastic weather strip along the bottom of the car that has a notch for the jack. As I'm raising the car, with dogs barking around me and a creepy old Jewish woman watching me through her door, the plastic weather strip breaks and smacks me in the face, the car falling to the ground. After much cursing, I walk to my mother's house and get a flashlight and attempt to try again. The old Jewish woman is still watching me. There's a thick metal lip behind the plastic strip, so I try for that. But it just bends the lip. So I curse some more, realize it's past 2:00 AM, and put everything back in the car. I head back to my mom's house and crash for the evening.

I got the tire changed this morning without much fuss. It was light outside. My mom helped hold the evil plastic weather strip in place so the car would actually stay raised. Oddly enough, the creepy old Jewish woman came back out to watch us work without offering to help or anything.

Anyways, that's how my night ended and my day started. I missed work this morning. I missed my first class, although Dr. Wildermuth is cool enough to understand and said not to worry about it. I get comics today. Lost comes on tonight at 8:00. I get paid tomorrow. I'm going to get the first season of Battlestar Galactica and the tenth anniversary edition of Mallrats. The first season of Alfred Hitchcock Presents comes out on fourth of October. It's going to be awesome.

I need to play The Matrix Online more. I think I only played for a little bit on Monday. I've been busy. Stupid school and resonsibility.

Tuesday, September 20, 2005

more television and comics for this week

My mother's birthday is today. She's 45, which makes me feel young. I got get some books and those Serenity comics. She seemed happy.

Lots of good new television coming on. I haven't had time to watch a lot of the new shows. I need to get caught up on Medium and Las Vegas before watching the premieres. I slept through Surface last night, but I'll get around to watching it. Prison Break continues to impress me.

CSI: Miami - I only recently developed a love for this program, and it is mostly due to the extreme coolness of Horatio Caine. Yeah, there's some repetitive stuff about him, but he is just as cool as Gil Grissom in my book. This show really is quite fantastic, and I'm glad I discovered this franchise. I hope they keep going with the subtle ongoing plotlines like they did last season, because they formed into one of the best finales that I saw earlier this year.

Supernatural - I have to admit that I was pleasantly surprised at the quality of this show. It has a very cool premise, although the true challenge will be maintaining it through the series itself. The acting wasn't nearly as bad as I thought it would be, and the direction was very good. It played out for the most part like a standard horror film, but I like things like that. The question arises if I will like that same formula week after week. We'll have to wait and see.

Threshold - Now this was a bad ass premiere. The first two episodes came on Friday night, the first directed by David Goyer of the Blade movies. It has Carla Gugino (Karen Sisco), Brent Spiner (freakin' Data), Charles Dutton, and a freakin' midget. It's about a contingency plan concerning an alien invasion and the team that's put together to take care of it. The premiere was quite awesome, and I'm glad there's yet another bad ass new show on. I do the dance of joy at this show now.

Good stuff. Lost comes on tomorrow, which makes me incredible happy.

Here's comics for this week: Batgirl #68, which continues to impress with Destruction's Daughter; Batman: Jekyll and Hyde #6 (of 6), which concludes this excellent mini-series; Birds of Prey #86, which is really good; Black Panther #8, which is part two of a crossover with X-Men; Captain America #10, which ties into House of M; Conan #20, which continues to be metal; Daredevil: Father #3 (of 5), which is just beautiful; Day of Vengeance #6 (of 6), which concludes another excellent mini-series; Exiles #70, which is incredibly cool; G0dland #3, which I really enjoy; Gotham Knights #69, which I also really enjoy; Green Lantern Corps: Recharge #1 (of 5), which I'm really looking forward to; Hunter/Killer #4, which is enjoyable; JSA Classified #3, which is good; Marvel 1602: New World #3 (of 5), which is surprisingly good; Manhunter #14, which I'm behind on but enjoy; New Avengers #10, which concludes this arc about The Sentry; Robin #142, which has been good lately; Runaways #8, which is still my favorite; Seven Soldiers: Mister Miracle #1 (of 4), which starts the next wave of this excellent undertaking from Grant Morrison; Supergirl #2, which had a fabulous first issue; Supreme Power: Hyperion #1 (of 5), which should be excellent; Teen Titans/Outsiders Secret Files 2005, because I'm a sucker for Secret Files issues; Ultimate Fantastic Four #23, which concludes the Crossover story; Ultimate Fantastic Four Annual 2005, which should be wonderful; The Ultimates 2 #8 (of 12), which is another of my favorites; and Wolverine #32, which concludes Mark Millar's run on the book.

And, of course, some covers for this excellent week.





All for now. My anxiety level has been really high the last few days. I need to stop drinking so much coffee. And get some sleep. Good week so far.

Thursday, September 15, 2005

television (and advent children)

Part of my life is complete. Final Fantasy VII: Advent Children is quite possibly the most beautiful film I have ever seen. It's wonderful and amazing and made me feel like I was thirteen again. It's worth checking out if you ever played and loved that game. Which I did. It was a big part of my life in junior high. It's a lovely part of my childhood that I'm so happy to enjoy again.

Here are some thoughts on some of the new television that has popped up recently. There's a lot of good stuff out there, and this is the time of year when new stuff starts coming on. This is only stuff that has aired so far, and there is a ton of other shows coming soon. I'll try to post some quick thoughts on stuff as it airs, and as I need to kill time. I don't know what I would do without a DVR and the wonders of the internet.

Bones (season one airs Tuesdays at 7:00 central on FOX) - I like cope shows. But there's a lot of them. There's a lot of good ones, and more than a few bad ones. I still don't know where this one is going to fall. I really like David Boreanaz. I'm as big of an Angel fan that you can find, so I'm glad he's found a new regular role. And this show might do well paired with House. But this pilot episode is very much a pilot episode. It's okay it parts, really good in others, and just bad in some. There is a lot of room for improvement, which is good. I like improvement. So we'll see where this goes.

Gilmore Girls (season six airs Tuesdays at 7:00 on WB) - Somewhere deep inside my soul is the spirit of a twelve year old girl. Because I love this show. But it's not because of the girly storylines or anything. The writing and comedy is supurb. It's the sixth season of this show, so they are obviously doing something right. What annoys me is that there are probably a ton of people out there who don't get the show for the same reasons I do. It annoys me when people I hate like the same things I do. But this show is good, no matter what any of you say. No one agrees with me on this.

House (season two airs Tuesdays at 8:00 on FOX) - I only found this show last summer, and fell in love with it incredibly quickly. Hugh Laurie is absoulutley amazing in this show, and the first season is just wonderful. As it comes on FOX, and it's a little obscure, I'm glad it was renewed for a second season. There's no big change between this premiere and last season, which is fine, because there's nothing wrong with the formula of this show.

The OC (season three airs Thursdays at 7:00 on FOX) - I love my teenaged soap operas. I loved this show during its first season. It was fresh and new. It had gobs of comic book references thrown in that only a handful of people got. It had great acting and writing. And then something happened to it. I think its a show that got to caught up in its own success. By the end of the first season some things had gotten stale, and the second season was back and forth on so many things. Oddly enough, the end of last season had started to get good again, and then we get this horrible cliffhanger that was resolved with the third season premiere, which played out like a mediocore episode from last season. I hope that this season can pick some things back up. Caleb is dead. Sandy is still cool. Seth still makes me smile. But they could really get rid of all the female characters on this show besides Kristen and things would get a whole lot better. That sounds incredibly gay, but you know... this show is pretty gay. But I still watch it. So does Blake. We're both girls.

Prison Break (season one airs Mondays at 8:00 on FOX) - When I first heard about the concept of this, I wasn't really that interested. But I like shows where plotlines play out over entire seasons. It works for several other shows. So I was excited when the first episodes of this show were so exciting. There are so many little things going, you have to actually pay attention to it. And I love shows that make you pay attention. Some of the stuff they do is a little over the top, but it works with the environment of the show. The acting is pretty damn good. The writing and pacing is as well. I don't know where this can go. Either they get out or they don't. So I'm sticking around. This has my interest.

Reunion (season one airs Thursdays at 8:00 on FOX) - It's like 24 in reverse. Here's another show where the one plot plays out over a full season, and each season (if it goes past one) is supposed to deal with a separate group of characters. Each episode takes us through one year in a group of friends's lives, leading up to present day. It's a hell of an interesting idea. It has a cool cast behind it, with people from Angel, Six Feet Under, The Practice, and Life as We Know It. What is going to make this show successful or not is the execution of the idea. The pilot, which takes place in 1986, was pretty damn good. It kept me interested. A lot happened. So if it holds up that way, I'll be happy. I'm hoping it does.

Rome (season one airs Sundays at 8:00 on HBO) - I've discovered that, with the exception of The Wire (which is possibly my favorite show ever), most HBO shows kind of lose steam around the third or fourth season, only to pick it up later on. The Sopranos and Six Feet Under are perfect examples of this. Others don't get really interesting until the second or third episode. The Wire and Deadwood are examples of that. That being said, most of these shows are amazing when they first start, and Rome is no exception. The first episode is really slow, but things pick up in the second and third. It's as good as any other HBO show, which are all fabulous. It's worth checking out.

I haven't had a chance to watch Supernatural tonight, but I will tonight. I'm not really that excited about it, but it's worth checking out and giving a couple of episodes to.

And some more stuff coming soon as it airs.

I need sleep.

Tuesday, September 13, 2005

comics for this week (and other things)

Dah. I'm so busy. When I'm not reading crappy eighteenth century novels, I'm trying to rewatch the first season of Lost before season two airs on the 21st. I'm only up to episode seven, The Moth, which quite possibly will be viewed tonight. I'm slowly getting over getting sick. I've missed much work. I missed classes last Friday. I'm trying to get my mom's birthday present together for next Tuesday. But I don't feel nearly as sick as I did last week, which is good.

I believe Lacey and I are going to go and see The Exorcism of Emily Rose tonight when she gets off of work. I don't know if it's going to be any good. I just want to see a movie. I haven't been out to a film in quite a while. One of the theaters here is also showing The Aristocrats, which I really want to see. Corpse Bride and Flightplan come out on the 23rd. Serenity and Mirrormask come out on the 30th. It is a good time for all.

Here's comics for this week: Action Comics #831, which features a fight with Black Adam, All Star Batman and Robin the Boy Wonder #2, which is just cool; Daredevil vs. Punisher #4 (of 6), which is really cool; Desolation Jones #3, which is full of Warren Ellis goodness; Fables #41, which is all kinds of cool; Firestorm #17, which I'm behind on; Gravity #4 (of 5), which is so corny I kind of like it; Green Arrow #54, which begins a new storyarc; Hawkman #44, which I'm also behind on; JLA #118, which has been incredible lately; JSA #77, which is yet another book I'm behind on which might warrent a Saturday all day JSA reading); Legends of the Dark Knight #195, which is just beautiful right now; Marvel Knights 4 #22, which I really enjoy; Marvel Knights Spider-Man #18, which I believe is the last part of this particular storyline; Matador #5 (of 6), which is very cool; New Thunderbolts #12, which I enjoy; Nightwing #112, which has been excellent; The Pulse #11, which features the return of Michael Gaydos and makes me dance a dance of joy; The Rann/Thanagar #5 (of 6), which I just love; Thor: Blood Oath #1 (of 6), which should be cool; Toxin #6 (of 6), which is just beautiful; Ultimate X-Men #63, which is fantastic; The Winter Men #2 (of 8), which I just got issue one of; and X-Men #175, which is the first part of crossover with Black Panther.

And some covers:





Ah. A good week shall be had by all. I think that's all for now. I want to do a little write up of new and returning television shows that I've been watching. Maybe some time tomorrow or later this week.

Sleep. And things.

Sunday, September 11, 2005

death to you all

Being sick sucks.

Nothing that interesting is going on. There's lots of good new television shows on. There's lots of good comics out. I'm closer to finishing The Dark Tower (after almost seven or eight months). My classes are all decent.

I'm slowly getting better. One day.

Thursday, September 08, 2005

sick and lost

I became deathly ill yesterday at work. I felt all achy and completely exhausted. I kept sneezing and had a horrible headache. I felt very cold but my skin was really warm. I had a fever. I got off of work and went to sleep until about 8:00, at which time I felt worse. I took off of work this morning to get some sleep, as I figured it was better to miss work and get better and to go to work and be sick for two weeks.

So now I'm a little better. I no longer have a fever, but my throat is swollen and I still have this massive headache. I'm getting better. But I hate getting sick. It's because I went out of town last weekend. I always seem to get sick whenever I travel.

My illness was made better, however, by the recieving the first season of Lost on DVD. It's seven disc long (eight if you go to Best Buy, which I forced myself to). Two of those are all special features. I watched four episodes (the two hour pilot, Walkabout, and The Moth) last night with the audio commentary on and was in heaven.

Bleh. I need more sleep, I think. The OC and Reunion premiere tonight. So that's what I'll be doing.

Tuesday, September 06, 2005

comics for this week

Traveling always makes me exhausted. The traffic was more than normal. On the way back home I missed a turn somewhere and would up adding an extra hour or so to my trip. But I made it home and slept. Then this morning I went to go have breakfast with my mom to find everything way crowded. And then the ATM was busted.

As least my jaw is swollen to the size of my head itself.

Here's comics for this week: Amazing Fantasy #12, which is the last part of Poison Tomorrow; City of Heroes #5, which is the second part of Crash and Burn; City of Tomorrow #6 (of 6), which was really good; Detective Comics #811, which gets City of Crime back on track; Exiles #69, which is the first part of World Tour; Fantastic Four: House of M #3 (of 3), which was pretty good; Fell #1, which should kick all kinds of ass; Ghost Rider #1 (of 6), which should be really cool; Gotham Central #35, which is one of my favorites; House of M #6 (of 8), which is damn near perfect; Incredible Hulk #86, which is pretty good; The Intimates #11, which I'm behind on; Iron Man: House of M #3 (of 3), which was also pretty good; Marvel Team-Up #12, which is always really good; Outsiders #28, which is always good, and sees the return of Judd Winick; The Punisher #25, which I'm still behind on; PvP #18, which is always fun; Rising Stars: Voices of the Dead #4 (of 6), which is pretty decent; Serenity #3 (of 3), which I love; Seven Soldiers: Guardian #4 (of 4), which ends the second of these mini-series; Shazam/Superman: First Thunder #1 (of 4), which should be all kinds of cool; Son of Vulcan #4 (of 6), which is pretty good, I think; Soulfire #5, which is beautiful, if I do say so; Stardust Kid #2 (of 4), which had a very cool first issue; Superman #221, which is really good; Supreme Power: Nighthawk #1 (of 5), which should be good; Villains United #5 (of 6), which I'm enjoying; Ultimate Spider-Man #82, which is all kinds of bad ass; Uncanny X-Men #464, which I'm behind on; X-Men: Colossus – Bloodline #1 (of 5), which should be cool; and Y: The Last Man #37, which I absolutley love.

And, of course, some covers:




All for now, I think. I so tired.

Monday, September 05, 2005

home

I'm home.

More later.

Maybe.

Saturday, September 03, 2005

out of town

I'm leaving here in a few hours. Like early in the morning.

My father is rather sick. I don't have the best relationship with him. It's had it's ups and downs. He's okay when he doesn't drink. I'm not really going to bitch much about it. But it's an... interesting relationship. This might be the last I get to see him for a while. With the three day weekend, I thought I should go and visit. I'll report back. He hasn't been drinking. Which is good. Maybe this trip won't be a complete disaster.

In other news, there are a few new cool people I have met. Club day went well. We have new members, most of whom are quite cool.

I should probably sleep now.